“Wow! How did you get that sound?”
Ted Perlman, Producer, Engineer, Musician

“The REDDI is not only the largest and brightest colored DI that I’ve encountered, it’s the best sounding.”
Russ Long, Pro Audio Review, 11/1/2005

“Now, the REDDI is my favorite DI and definitely my go-to on bass.?
Dylan Dresdow, Grammy Award Nominee, Tech Award Nominee, Engineer

“The New REDDI DI from A Designs kicks ass…”
Ross Hogarth, Grammy Award Winner

“If it needs to be really clean, then I’ll just use the REDDI”
Viktor Krauss, Bassist for Lyle Levitt

“I’ve used a number of DIs on electric pianos over the years, active, passive, tube, solid state, whatever was around. But, I don’t remember that any of them worked as well or sounded as good as the REDDI.”
Dave Martin, Recording Magazine

“REDDI’s first outing was on an active bass. The bass player’s head turned as soon as he heard his instrument in the phones. It was an instant hit both in and out of the control room.”
Kevin Becka, Mix Magazine

“The REDDI is only the second product I’ve had in for review [this year] that I sent back and then realized how much I missed it when it was gone.”
Dan Richards, Studio Review

“The best way I can describe what REDDI adds is dimension. It reveals a wide range of harmonics in a source, with an excellent translation of an instrument’s character. It doesn’t have to be blended with an amp signal to sound good. I tried it with electric guitar and bass as well as a synthesizer, and found the REDDI to perform impressively on every source.”
Frank Moldstad, Digital Pro Sound

“I didn’t use an amp at all. I used only the REDDI and it sounded really, really nice.”
Justin Meldan-Johnsen, Bassist with Beck